In the dim light of my solitude, I find myself reflecting on the beauty that once surrounded me, yet now feels like a distant memory. Each day I watch the world move forward, adorned with the vibrant colors of life, while I remain an unnoticed shadow, a mere echo of laughter that has long faded.

Creating traditional Indian earrings in Blender might seem like a trivial pursuit to some, but to me, it is a desperate attempt to reclaim the pieces of my shattered spirit. The Jhumkas, with their intricate designs and cultural significance, remind me of the warmth of connection I once felt – the gatherings filled with laughter, the shared stories that made my heart swell with joy. Yet, here I am, alone in my digital canvas, trying to breathe life into something that cannot fill the void within me.

Every click and drag in Blender feels like a reminder of what I’ve lost. The elegance of these earrings, a reflection of India's rich jewelry manufacturing traditions, is a stark contrast to the emptiness I carry. While I sculpt each curve and detail, I pour my heart into them, hoping they will somehow bridge the chasm of loneliness that stretches endlessly before me. But the more I create, the heavier my heart feels, weighed down by the realization that artistry cannot replace companionship, nor can it mend the fractures of my soul.

In these moments of creation, I find solace in learning from Drvquiron, the talented Blender artist whose tutorials whisper promises of beauty and hope. Yet, even as I craft these Jhumkas, I cannot help but feel the ache of isolation. The vibrant colors and spiritual meanings embedded in these earrings serve as bittersweet reminders of joy that once filled my life. Now, they stand as a testament to my solitude, each piece a silent scream for connection that goes unheard.

I yearn for the days when I could adorn my loved ones with such beautiful creations, to see their faces light up with appreciation. But instead, I sit here, surrounded by virtual designs, longing for the warmth of a smile that no longer exists in my reality. The traditional Indian earrings I create are a reflection of culture, history, and artistry – yet, they are also a mirror to my grief and an embodiment of the bonds I wish I still had.

As I finalize my latest piece, I can’t help but feel a tear escape, a solitary drop that falls onto my keyboard – a silent acknowledgment of my pain. In crafting these earrings, I hope to find beauty amidst despair, to transform my sorrow into something that can be shared, even if just in pixels and polygons.

But for now, I remain lost in this digital world, creating Jhumkas that symbolize my longing for connection, even when the reality of my loneliness weighs heavily on my heart.

#Loneliness #ArtisticHealing #Jhumkas #BlenderArt #CulturalIdentity

Disney has officially announced that a Lilo and Stitch sequel is in the works, and honestly, I can't believe the audacity of it all. Are they really that desperate for ideas? Lilo and Stitch was a beloved classic, a unique story that captured the hearts of many, but instead of creating something fresh and original, Disney is just recycling the same tired formula. This is the same company that has been dragging out its franchises like a cheap rug, hoping to squeeze every last penny from its fan base.

Let’s get real here: why does Disney think we want more of the same? A Lilo and Stitch 2? What exactly are they planning to bring to the table that’s new and exciting? Are they going to slap on some flashy animation and a couple of catchy songs and call it a day? It’s infuriating to witness such a blatant lack of creativity in a company that used to be a beacon of innovation in the animation industry.

It’s not just the sequel itself that’s the problem; it’s the principle behind it. Disney is playing it safe, taking the easy route instead of challenging itself to create original stories. This industry is overflowing with talented artists and storytellers who are bursting with ideas, and yet, Disney chooses to dig into its vault and rehash old tales instead of giving new voices a chance. It’s a slap in the face to the creators who are waiting for their moment to shine.

Moreover, let’s talk about the cultural implications. Hawaii is not just a backdrop for a cartoon about a blue, furry alien; it’s a vibrant culture with a deep history and significance. If Disney is going to dive back into this world, they better do it with respect and authenticity. Otherwise, they’re just commodifying a culture that should be celebrated, not exploited for profit. It’s a shameful display that highlights how out of touch Disney has become with the very essence of storytelling.

And don’t even get me started on the message this sends to younger audiences. If you keep recycling the same stories, what are kids supposed to learn? That originality doesn’t matter? That it’s okay to take the easy way out? It’s a damaging narrative that could have long-term effects on creativity and innovation in future generations.

So, here’s my challenge to Disney: instead of rehashing Lilo and Stitch, why not invest in fresh talent? Create stories that reflect the world we live in today, stories that challenge norms and inspire change. Give us something we can be excited about instead of this tired rehash. The world deserves better than a predictable sequel to a beloved classic.

In conclusion, Lilo and Stitch 2 is not just a film in the making; it’s a glaring symptom of a much larger problem in the entertainment industry. It’s time for Disney to wake up, take responsibility, and start delivering content that is worthy of its legacy. We deserve more than this mediocre attempt at nostalgia.

#Disney #LiloAndStitch #Sequels #Animation #Creativity

Let's talk about the absurdity that is "A Scene Made of 100% Suzanne." Seriously, what kind of twisted imagination leads someone to think that creating a scene using only Suzanne—the iconic primitive shape in Blender—could ever be a good idea? Cody Gindy, in a display of sheer creativity or utter madness, has taken this concept and run with it, but let’s be real here: the result is unsettling at best and completely ridiculous at worst.

First of all, why are we glorifying a piece of software's primitive shape as the foundation for artistic expression? This isn’t avant-garde; it’s a regression into the basic tools of 3D modeling that should have been left behind in the early days of animation. Yes, the idea might sound clever on paper—let’s see how far we can stretch a single primitive into something "unique." But what has been created is not unique—it's a mere gimmick that fails to resonate on any meaningful level.

The fact that this "art" works well, according to some, is an insult to the very concept of artistry. It’s a lazy shortcut that allows creators to bypass the hard work and skill required to produce something genuinely engaging. Instead of pushing boundaries, we are left with a bizarre scene that feels more like a failed experiment than a legitimate piece of art. If we start celebrating such mediocrity, what does that say about our standards? Are we lowering the bar so much that we will accept anything as long as it’s slightly unsettling?

Moreover, this obsession with minimalism can be harmful. It breeds a culture where simplicity is mistaken for depth. Just because something is made from a single primitive does not make it profound or meaningful. It’s time we demand more from our creative endeavors. We should be pushing for complexity, nuance, and, yes, real artistic talent—not just slapping together a scene made of 100% Suzanne and calling it a day.

It’s astonishing how the art community could rally around this. Are we really that desperate for novelty that we’ll celebrate such a half-baked concept? Where is the outrage for artists who actually pour their souls into their work, only to be overshadowed by someone who took the easy way out? The narrative surrounding this piece is infuriating; it’s a slap in the face to those who strive for excellence in their craft.

In conclusion, the so-called "scene made of 100% Suzanne" is a testament to the laziness that is creeping into our creative spaces. If we continue to applaud such mediocrity, we risk destroying the very fabric of what art should represent: passion, skill, and a relentless pursuit of excellence. Let’s stop letting the absurd become the norm.

#ArtCritique
#3DModeling
#CreativeStandards
#SuzanneScene
#PushForExcellence

What a load of nonsense! The idea that personal branding is some magical solution to your professional woes is utterly ridiculous. This article claims to break down the concept of "marca personal" and how to create your own, but let’s be honest: it’s just another way to sell you a pipe dream wrapped in buzzwords.

First off, let’s talk about the very notion of a personal brand. They say it’s about the “imprint” we leave on others, but in reality, it’s just a shiny facade that masks the truth. Do we really need to curate our lives to fit into some pre-packaged notion of what a “brand” should be? Who decided that we need to market ourselves like products on a shelf? This toxic idea is promoting a culture of superficiality where authenticity takes a backseat.

The article mentions “ejemplos de marcas personales” – examples of personal brands. But are these really examples of successful individuals, or just glorified influencers with staged lives? Let’s not forget that many of these so-called role models have built their empires on deception and half-truths. When did we start valuing the glossy photo over genuine talent and integrity? This is an indictment of our society!

Then, we have the so-called "consejos" for creating your own brand. As if we need a blueprint for being human. Why don’t we focus on real skills, hard work, and true connections instead? Instead of teaching people to shout about their achievements from the rooftops, how about we encourage humility and the pursuit of genuine excellence? It’s infuriating to see the glorification of self-promotion over real, measurable success.

Let’s not fall into this trap of believing that personal branding is the answer to our problems. It’s a distraction at best and a harmful delusion at worst. If we continue to chase this illusory ideal, we’ll lose sight of what really matters – building real relationships, honing our skills, and being authentic in a world that seems hell-bent on promoting the artificial.

So, if you’re reading this thinking about building your "marca personal," take a step back and reconsider. Are you truly offering value, or are you just another cog in this soulless machine that promotes superficiality and false impressions? It’s time to wake up and stop drinking the Kool-Aid of personal branding. Let's reclaim authenticity over artifice!

#PersonalBranding #Authenticity #SocialMediaCritique #MarketingMadness #RealSuccess

It is absolutely infuriating to witness the sheer audacity of leaders like Fubara, who stand before their supporters and preach acceptance of a bitter reality while they reconcile with figures like Wike. How can we, as a society, accept such blatant hypocrisy? This isn’t just about two politicians patching things up; this is about the betrayal of the very people who put them in power. The message is clear: personal agendas and political maneuvering take precedence over the needs and desires of the constituents they claim to represent.

Fubara's recent comments, “It is bitter but we must accept the situation and move on with it,” are nothing but a slap in the face to anyone who dares to care about integrity and honesty in politics. How can we move on when the foundations of our leadership are built on shifting sands of compromise and backdoor deals? It’s time for us to stop turning a blind eye to this nonsense! Every time we let statements like these slide, we are endorsing a culture of mediocrity and complacency. We are allowing our leaders to believe that they can say whatever they want, regardless of how absurd it is, and we’ll just nod along like obedient sheep.

Let’s face it: this reconciliation is not about healing; it’s about power. It’s about Fubara ensuring that he keeps his seat warm while Wike, with his infamous reputation for opportunism, remains a looming shadow over the political landscape. Are we really supposed to believe that this partnership will lead to anything good for the citizens? Of course not! It’s a setup for more of the same old corruption and power games that have left us in disarray.

Why are we so quick to accept such a dismal state of affairs? Why do we continue to let these figures dictate our reality? The truth is, we have been conditioned to accept mediocrity as the norm. We have to break this cycle! We cannot allow ourselves to be placated by empty rhetoric and false reconciliations. Fubara and Wike can hold hands all they want, but they are not holding the hands of the people who struggle every day to make ends meet.

We deserve leaders who are willing to fight for our interests, not ones who will reconcile with those who have let us down time and again. It’s time for us to demand better. We should raise our voices and hold these politicians accountable for their actions instead of settling for bitter acceptance. The only way we can move forward is by rejecting this toxic acceptance of betrayal and demanding authenticity and integrity in our leadership.

Let’s be clear: the time for complacency is over. It’s time to stand up for what’s right and to hold these leaders accountable for their actions. We must not let Fubara’s message of acceptance be the defining narrative of our political landscape. We deserve better, and we should fight for it!

#Accountability #PoliticalIntegrity #NoMoreHypocrisy #DemandBetter #StandUp

In the quiet corners of this small city, where dreams often whisper their secrets into the cold night air, I find myself lost in a sea of shadows. The vibrant designs that BüroDestruct has woven into the fabric of Swiss culture feel like distant echoes, reminding me of a world where creativity flourished, yet here I stand, a solitary figure amidst the ruins of my own aspirations.

For three decades, the creative minds of Lorenz Gianfreda, Heinz Reber, Marc Brunner, and Michael Süsstrunk have shaken the foundations of design, breathing life into the mundane. Their monographs—Büro Destruct, BD II, BD III, and BD IV—speak of a relentless pursuit of innovation, a journey marked by passion and resilience. Yet, as I hold these books in my hands, I can’t help but feel an overwhelming sense of isolation. The pages are filled with inspiration, yet my heart aches with despair, as if I am an outsider looking in, longing for a connection that seems perpetually out of reach.

The designs that once sparked joy now feel like reminders of what I am missing. The creativity that once fueled my spirit has dimmed, leaving behind a hollow ache that echoes through the silence of my solitude. I watch as their work redefines the landscape of design in Bern, while I remain a mere spectator, trapped in a life that feels increasingly grey and uninspired.

Each stroke of brilliance captured within those pages seems to mock my attempts to create. I wonder, where did I go wrong? Was it the fear of failure that held me back, or the weight of expectations that stifled my voice? The vibrant hues of their creations contrast sharply with the bleakness surrounding me, a constant reminder of the distance between my dreams and my reality.

In this small city, where big ideas should bloom, I find myself retreating further into the shadows. The laughter and camaraderie that once filled my life have faded, leaving only the haunting whispers of what could have been. I yearn for connection, for someone to share in this journey, yet loneliness wraps around me like a shroud, suffocating and relentless.

As I reflect on the legacy of BüroDestruct, I can’t help but wonder if their success is a beacon of hope or a painful reminder of my own shortcomings. I am left grappling with the question of whether I will ever find my place in this world of design, or if I am destined to wander forever in solitude, dreaming of a life that seems perpetually out of reach.

Sometimes, the heart bears the heaviest burdens, and in the silence of the night, I can only hope that tomorrow brings a glimmer of light through the dark.

#Design #Loneliness #BüroDestruct #Art #Creativity

The recent conference titled “Les goûts et les couleurs” is a perfect example of how our society is spiraling into an abyss of superficiality and pretentiousness. This event, supposedly a fusion of design and sensory exploration, is nothing more than a glorified display of elitism wrapped in artistic jargon. What a joke!

Let’s break it down. We have Mathieu Hébert, a so-called researcher in optics, making grand claims about light and perception, while the rest of us are struggling to make sense of our daily lives. Then we have Anaïs Silvestro, prancing around as a culinary designer, presenting food as if it’s some high art form rather than what it truly is—nourishment for the body. And don’t get me started on Emmanuelle Valli, the semiologist who probably believes that interpreting the meaning behind a carrot is somehow groundbreaking. This is beyond ridiculous!

Are we really so desperate for meaning that we have to gather in a room to dissect colors and tastes like they’re the secrets of the universe? The fact that people are willing to pay for this kind of “enlightenment” speaks volumes about the current state of our society. We are drowning in a sea of aestheticism, where real issues—like economic inequality, mental health, and environmental degradation—are brushed aside for the sake of discussing how a blue plate makes food taste better. Seriously?

This is not just a failure of understanding; it’s a symptom of a larger problem. We are obsessed with appearances, with packaging, and with anything that can distract us from the harsh realities of life. The conference promises “light, science, design culinaire and literature,” but all it offers is a shallow dive into the superficial. This so-called blend of disciplines only serves to elevate a few individuals while leaving the rest of us in the dark.

And let’s talk about accessibility. Events like this are often marketed towards the elite, those who can afford to indulge in such nonsense. What about the average person? Are they supposed to sit back and watch as intellectuals parade around, discussing the “intersection” of tastes and colors, while they struggle to put food on the table? This is not enlightenment; it’s a slap in the face to those who are genuinely trying to make sense of their lives.

In conclusion, the conference “Les goûts et les couleurs” is yet another example of how we glorify the trivial while neglecting the substantial. Instead of engaging in discussions that matter, we’re left with pretentious talks about how color affects flavor. It’s time to wake up and realize that we need to focus on the real issues that affect our society, rather than getting lost in the maze of artistic expression. Let’s demand more from our conversations and strive for depth over superficiality!

#Design #Culture #Society #Superficiality #IntellectualElitism

Hello, wonderful people!

Today, I want to share something truly exciting that I believe can transform the way we think about our organizations and our futures! Have you ever felt like the traditional models of organization are holding you back? Well, it's time to break those chains!

The world around us is changing rapidly, and to stay ahead, we need to embrace a **model of continuous transformation**! This isn't just a concept; it’s a game-changer that allows us to leave our competitors in the dust. Imagine a workplace where innovation flows freely, where every team member feels empowered to contribute their ideas, and where your business can evolve with the market's demands! Isn’t that a dream worth chasing?

By adopting an **organizational model in continuous mutation**, we can unlock the full potential of our products and our people! This approach is one of the key levers for the flourishing of our businesses. It’s about creating an environment that encourages growth, adaptability, and creativity. When we embrace change, we not only enhance our performance but also foster a culture of happiness and fulfillment among our teams!

Let’s talk about how we can implement this exciting model! Start by encouraging open communication – let everyone’s voice be heard! Create a space where ideas are welcomed, no matter how big or small! And remember, every challenge is an opportunity to learn and grow!

Now, let’s consider the impact this can have on our products. When we focus on continuous improvement, we can adapt our offerings to better meet the needs of our customers. This agility makes us not just competitors but leaders in our field! The satisfaction of our clients will skyrocket as we deliver what they truly desire!

Moreover, fostering a culture of continuous transformation doesn’t just benefit our businesses; it enriches the lives of everyone involved! The more we empower our teams, the more fulfilled they become. Happy employees lead to happy customers, and that’s the cycle of success!

In closing, I want to remind you all that the power to change is within us! Embrace the **continuous organizational model** and watch your potential soar! Let’s leave the old ways behind and step into a brighter, more innovative future together! You’ve got this!

#ContinuousTransformation #OrganizationalGrowth #Empowerment #InnovativeLeadership #BusinessExcellence

Once again, the video games industry is in turmoil, and this time it’s the developer of "Lost Records," Don't Nod, that’s making headlines for all the wrong reasons. Layoffs? Really? Are we just going to sit here and accept this as the new normal? The dread that has been hanging over this industry is suffocating, and it’s about time someone calls out the sheer incompetence and negligence that led us here!

It's no secret that the gaming community has been suffering from a plague of uncertainty and instability. Developers are being treated like disposable commodities, with their livelihoods tossed aside as if they were mere statistics in a quarterly report. The fact that Don't Nod, a studio that has produced some critically acclaimed titles, is now resorting to layoffs is nothing short of a slap in the face to the entire gaming community. What kind of message does this send? That creativity and passion are expendable in the pursuit of profit?

Let’s get real. This isn’t just about Don't Nod; it’s a symptom of a much larger problem that plagues the industry. The constant cycle of hype and disappointment has left dedicated gamers feeling betrayed. We invest our time, money, and emotions into these worlds, only to watch the people who create them face uncertainty and job loss. How is this acceptable? Why aren’t we standing up and demanding better from the companies we support?

The layoffs at Don't Nod are indicative of a larger issue within the gaming industry—a toxic culture that prioritizes profit margins over the people who make the magic happen. The dread that has become commonplace in our beloved industry stems from the relentless pursuit of short-term gains, often at the expense of long-term stability. It’s infuriating to think that while we, the players, are out here celebrating the art of gaming, the very creators are being tossed aside like yesterday’s news.

It's high time for us to hold these companies accountable. We need to start asking hard questions. Where is the transparency? Where is the support for developers? How can we foster a healthier environment for creativity to thrive? Enough is enough! The gaming industry needs to wake up and understand that without its talent, it has nothing. Layoffs are not just numbers on a spreadsheet; they represent real people, real lives, and real dreams being shattered.

So, here’s a call to action: let’s raise our voices, let’s demand change, and let’s refuse to accept the status quo. Don’t Nod is just one example, but if we don’t start standing up against these practices, there will be many more studios facing the same fate.

The dread will not disappear on its own. The time for complacency is over. Together, we can push for a better future in gaming!

#DontNod #VideoGameIndustry #Layoffs #SupportDevelopers #GamingCommunity

GOVERNMENT TO LAUNCH 24-HOUR ECONOMY PROGRAMME ON WEDNESDAY 2ND JULY 2025.

The Presidential Advisor on the 24-hour economy, Mr. Augustus Goosie Obuodum Tandoh has disclosed that the 24-hour initiative would be launched on Wednesday 2nd July 2025.

He stated that the program is designed to transform production with agriculture as its main anchor to develop the nations value chain so that we are able to achieve greater productivity. He went on to say that the programme is made up of three angles that is Production transformation, Supply chain and market efficiency and human development.

Mr. Tandoh noted that to make this initiative work, the three angles will be supported by some subgroups “Grow 24 which is the agricultural component, Make 24 which is the manufacturing component, Connect 24 which is the Supply chain component, Aspire 24 which is the Mindset change, that’s resetting the Ghanaian.” As part of Aspire 24, the government will also include a strong digital technology training to the TVET curriculum to provide employment opportunities.

He said there’s also a component dubbed “Show Ghana” will be included to highlight Ghana’s vibrant culture to the diaspora, adding that the goal is to bring in more tourists and boost income through tourism.

The RT Hon Speaker in his remarks stated that there are lots of opportunities interms of employment. He emphasized that the 24-hour economy office needs to work hard to get Parliament to approve a Bill. This would ensure the policy continues to be implemented, even if there’s a change in government, he added.

Burkina Faso is making huge strides in onion production, officially becoming the third-largest producer in West Africa, surpassing Senegal. This season, the country is set to harvest over 400,000 tonnes of onions, marking a historic milestone in its agricultural sector.

This surge is credited to expanded irrigation systems, improved seed varieties, and better access to regional markets. With this momentum, Burkina Faso is on track to become the ninth-largest onion producer in Africa, boosting its economy and creating thousands of jobs.

A proud moment for Burkinabé farmers and a major win for West African agriculture!

PRESS RELEASE

FG Hosts Workshop on Gender Mainstreaming and GBV Success Stories Dissemination under TRIMING Project.

The Federal Government, through the Federal Ministry of Water Resources and Sanitation, in collaboration with the World Bank and other critical stakeholders, convened a Gender Mainstreaming and Gender-Based Violence (GBV) Success Stories Dissemination Workshop under the Transforming Irrigation Management in Nigeria (TRIMING) Project, with the theme: “From Tradition to Transformation, Led by Women”, today in Kano.

The Honourable Minister of Water Resources and Sanitation, Engr. Prof. Joseph Terlumun Utsev, who was represented by the Permanent Secretary, Mr. Richard Pheelangwah, in his keynote address emphasized that the TRIMING Project was designed to enhance irrigation systems and promote integrated water resource management, with gender and social safeguards as core components.

According to Prof. Utsev, the project has transformed women, youth, and vulnerable groups from being marginalized to becoming vital contributors in agriculture and water governance.

He highlighted the achievements of the project, including the development of GBV Action Plans across all schemes for risk mitigation and survivor support, women’s leadership in Water Users Associations (WUAs), enhancing inclusive decision-making, and the economic empowerment of women through active roles in irrigation management.

Prof. Utsev added that the extensive capacity-building on gender sensitivity and GBV prevention, the strengthening of local capacitie, including youth champions and gender desk officers, cultural norm shifts through media, dialogues, and storytelling in local languages, as well as alignment with global best practices and World Bank environmental and social standards, are additional achievements of the project.

The Minister thanked President Bola Ahmed Tinubu, the World Bank, and the Project Monitoring Unit for their support in driving TRIMING’s success. He urged the replication of its gender and GBV initiatives in other projects and emphasized that achieving a gender-equitable, GBV-free society requires ongoing commitment and collaboration.

Engr. Hauwa Sadique Mohammed, Deputy Director Irrigation, delivering the welcome address on behalf of the Permanent Secretary, Mr. Richard Pheelangwah, emphasized the workshop as a key milestone in advancing inclusivity, equity, and safety, particularly for women, girls, and vulnerable groups in the TRIMING Project. The Permanent Secretary highlighted that from inception, the project prioritized gender equality, GBV prevention, and social inclusion, with gender mainstreaming embedded across all stages to ensure equal opportunities and safe spaces.

Delivering a comprehensive overview of the project, the Project Coordinator, Engr. Ipinlaye Olaiya, emphasized the central role of gender mainstreaming across all components of the TRIMING Project, noting that the deliberate integration of gender perspectives was not only strategic but essential to the long-term sustainability and impact of the interventions.

Goodwill messages were delivered by the Managing Director of Hadejia Jama’are River Basin Development Authority, Engr. Rabiu Suleiman Yusuf, representative of the academia,Prof. Restituta Igube from the University of Abuja, and Commissioners from the Gombe State Ministry of Women Affairs, Asmau Mohammed Iganus as well as the representative of Kano State Ministry of Women Affairs, Children, and the Disabled. They all emphasized the significance of inclusivity, sustainability, and community ownership in gender-responsive water and agricultural development.

A key moment of the workshop was the presentation of badges to Women Leaders of Water Users Associations (WUAs) of Sokoto Rima River Basin Development Authority, Jigawa, Kano, Gombe and Zamfara States.

Signed
Mrs. Funmi Imuetinyan
Director Information and PR

25/06/2026