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  • Disney has officially announced that a Lilo and Stitch sequel is in the works, and honestly, I can't believe the audacity of it all. Are they really that desperate for ideas? Lilo and Stitch was a beloved classic, a unique story that captured the hearts of many, but instead of creating something fresh and original, Disney is just recycling the same tired formula. This is the same company that has been dragging out its franchises like a cheap rug, hoping to squeeze every last penny from its fan base.

    Let’s get real here: why does Disney think we want more of the same? A Lilo and Stitch 2? What exactly are they planning to bring to the table that’s new and exciting? Are they going to slap on some flashy animation and a couple of catchy songs and call it a day? It’s infuriating to witness such a blatant lack of creativity in a company that used to be a beacon of innovation in the animation industry.

    It’s not just the sequel itself that’s the problem; it’s the principle behind it. Disney is playing it safe, taking the easy route instead of challenging itself to create original stories. This industry is overflowing with talented artists and storytellers who are bursting with ideas, and yet, Disney chooses to dig into its vault and rehash old tales instead of giving new voices a chance. It’s a slap in the face to the creators who are waiting for their moment to shine.

    Moreover, let’s talk about the cultural implications. Hawaii is not just a backdrop for a cartoon about a blue, furry alien; it’s a vibrant culture with a deep history and significance. If Disney is going to dive back into this world, they better do it with respect and authenticity. Otherwise, they’re just commodifying a culture that should be celebrated, not exploited for profit. It’s a shameful display that highlights how out of touch Disney has become with the very essence of storytelling.

    And don’t even get me started on the message this sends to younger audiences. If you keep recycling the same stories, what are kids supposed to learn? That originality doesn’t matter? That it’s okay to take the easy way out? It’s a damaging narrative that could have long-term effects on creativity and innovation in future generations.

    So, here’s my challenge to Disney: instead of rehashing Lilo and Stitch, why not invest in fresh talent? Create stories that reflect the world we live in today, stories that challenge norms and inspire change. Give us something we can be excited about instead of this tired rehash. The world deserves better than a predictable sequel to a beloved classic.

    In conclusion, Lilo and Stitch 2 is not just a film in the making; it’s a glaring symptom of a much larger problem in the entertainment industry. It’s time for Disney to wake up, take responsibility, and start delivering content that is worthy of its legacy. We deserve more than this mediocre attempt at nostalgia.

    #Disney #LiloAndStitch #Sequels #Animation #Creativity
    Disney has officially announced that a Lilo and Stitch sequel is in the works, and honestly, I can't believe the audacity of it all. Are they really that desperate for ideas? Lilo and Stitch was a beloved classic, a unique story that captured the hearts of many, but instead of creating something fresh and original, Disney is just recycling the same tired formula. This is the same company that has been dragging out its franchises like a cheap rug, hoping to squeeze every last penny from its fan base. Let’s get real here: why does Disney think we want more of the same? A Lilo and Stitch 2? What exactly are they planning to bring to the table that’s new and exciting? Are they going to slap on some flashy animation and a couple of catchy songs and call it a day? It’s infuriating to witness such a blatant lack of creativity in a company that used to be a beacon of innovation in the animation industry. It’s not just the sequel itself that’s the problem; it’s the principle behind it. Disney is playing it safe, taking the easy route instead of challenging itself to create original stories. This industry is overflowing with talented artists and storytellers who are bursting with ideas, and yet, Disney chooses to dig into its vault and rehash old tales instead of giving new voices a chance. It’s a slap in the face to the creators who are waiting for their moment to shine. Moreover, let’s talk about the cultural implications. Hawaii is not just a backdrop for a cartoon about a blue, furry alien; it’s a vibrant culture with a deep history and significance. If Disney is going to dive back into this world, they better do it with respect and authenticity. Otherwise, they’re just commodifying a culture that should be celebrated, not exploited for profit. It’s a shameful display that highlights how out of touch Disney has become with the very essence of storytelling. And don’t even get me started on the message this sends to younger audiences. If you keep recycling the same stories, what are kids supposed to learn? That originality doesn’t matter? That it’s okay to take the easy way out? It’s a damaging narrative that could have long-term effects on creativity and innovation in future generations. So, here’s my challenge to Disney: instead of rehashing Lilo and Stitch, why not invest in fresh talent? Create stories that reflect the world we live in today, stories that challenge norms and inspire change. Give us something we can be excited about instead of this tired rehash. The world deserves better than a predictable sequel to a beloved classic. In conclusion, Lilo and Stitch 2 is not just a film in the making; it’s a glaring symptom of a much larger problem in the entertainment industry. It’s time for Disney to wake up, take responsibility, and start delivering content that is worthy of its legacy. We deserve more than this mediocre attempt at nostalgia. #Disney #LiloAndStitch #Sequels #Animation #Creativity
    kotaku.com
    Everyone’s favorite blue, furry alien is coming back for more shenanigans in Hawaii. Lilo and Stitch 2 is officially in the works at Disney.Read more...
    1 التعليقات ·0 المشاركات ·45 Monetized Views(💲)
  • Let's talk about the absurdity that is "A Scene Made of 100% Suzanne." Seriously, what kind of twisted imagination leads someone to think that creating a scene using only Suzanne—the iconic primitive shape in Blender—could ever be a good idea? Cody Gindy, in a display of sheer creativity or utter madness, has taken this concept and run with it, but let’s be real here: the result is unsettling at best and completely ridiculous at worst.

    First of all, why are we glorifying a piece of software's primitive shape as the foundation for artistic expression? This isn’t avant-garde; it’s a regression into the basic tools of 3D modeling that should have been left behind in the early days of animation. Yes, the idea might sound clever on paper—let’s see how far we can stretch a single primitive into something "unique." But what has been created is not unique—it's a mere gimmick that fails to resonate on any meaningful level.

    The fact that this "art" works well, according to some, is an insult to the very concept of artistry. It’s a lazy shortcut that allows creators to bypass the hard work and skill required to produce something genuinely engaging. Instead of pushing boundaries, we are left with a bizarre scene that feels more like a failed experiment than a legitimate piece of art. If we start celebrating such mediocrity, what does that say about our standards? Are we lowering the bar so much that we will accept anything as long as it’s slightly unsettling?

    Moreover, this obsession with minimalism can be harmful. It breeds a culture where simplicity is mistaken for depth. Just because something is made from a single primitive does not make it profound or meaningful. It’s time we demand more from our creative endeavors. We should be pushing for complexity, nuance, and, yes, real artistic talent—not just slapping together a scene made of 100% Suzanne and calling it a day.

    It’s astonishing how the art community could rally around this. Are we really that desperate for novelty that we’ll celebrate such a half-baked concept? Where is the outrage for artists who actually pour their souls into their work, only to be overshadowed by someone who took the easy way out? The narrative surrounding this piece is infuriating; it’s a slap in the face to those who strive for excellence in their craft.

    In conclusion, the so-called "scene made of 100% Suzanne" is a testament to the laziness that is creeping into our creative spaces. If we continue to applaud such mediocrity, we risk destroying the very fabric of what art should represent: passion, skill, and a relentless pursuit of excellence. Let’s stop letting the absurd become the norm.

    #ArtCritique
    #3DModeling
    #CreativeStandards
    #SuzanneScene
    #PushForExcellence
    Let's talk about the absurdity that is "A Scene Made of 100% Suzanne." Seriously, what kind of twisted imagination leads someone to think that creating a scene using only Suzanne—the iconic primitive shape in Blender—could ever be a good idea? Cody Gindy, in a display of sheer creativity or utter madness, has taken this concept and run with it, but let’s be real here: the result is unsettling at best and completely ridiculous at worst. First of all, why are we glorifying a piece of software's primitive shape as the foundation for artistic expression? This isn’t avant-garde; it’s a regression into the basic tools of 3D modeling that should have been left behind in the early days of animation. Yes, the idea might sound clever on paper—let’s see how far we can stretch a single primitive into something "unique." But what has been created is not unique—it's a mere gimmick that fails to resonate on any meaningful level. The fact that this "art" works well, according to some, is an insult to the very concept of artistry. It’s a lazy shortcut that allows creators to bypass the hard work and skill required to produce something genuinely engaging. Instead of pushing boundaries, we are left with a bizarre scene that feels more like a failed experiment than a legitimate piece of art. If we start celebrating such mediocrity, what does that say about our standards? Are we lowering the bar so much that we will accept anything as long as it’s slightly unsettling? Moreover, this obsession with minimalism can be harmful. It breeds a culture where simplicity is mistaken for depth. Just because something is made from a single primitive does not make it profound or meaningful. It’s time we demand more from our creative endeavors. We should be pushing for complexity, nuance, and, yes, real artistic talent—not just slapping together a scene made of 100% Suzanne and calling it a day. It’s astonishing how the art community could rally around this. Are we really that desperate for novelty that we’ll celebrate such a half-baked concept? Where is the outrage for artists who actually pour their souls into their work, only to be overshadowed by someone who took the easy way out? The narrative surrounding this piece is infuriating; it’s a slap in the face to those who strive for excellence in their craft. In conclusion, the so-called "scene made of 100% Suzanne" is a testament to the laziness that is creeping into our creative spaces. If we continue to applaud such mediocrity, we risk destroying the very fabric of what art should represent: passion, skill, and a relentless pursuit of excellence. Let’s stop letting the absurd become the norm. #ArtCritique #3DModeling #CreativeStandards #SuzanneScene #PushForExcellence
    www.blendernation.com
    From the Weird Department: Cody Gindy decided to create a scene using only Suzanne as the base primitive. While a little unsettling, it works well! Source
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  • So, there’s this thing going around about Hilarious KPop Demon Hunters recordings, and apparently, 3D animators can act really well. I mean, wow, right? Not that I care much. But I guess it’s interesting to see how these animators are stepping out of their usual roles. The whole KPop and demon hunting mix just seems like a weird combination that somehow works.

    They’ve got these characters that are supposed to be fierce demon hunters, all while being wrapped up in the shiny world of KPop. It’s like they’re trying to blend two worlds that don’t really belong together. I mean, who knew 3D animators could pull off such performances? Maybe it’s just a gimmick, or maybe there’s something deeper, but honestly, I’m not that invested.

    The references for Zoey that everyone is talking about? Yeah, I saw them. Kind of funny, I guess. She’s supposed to be this strong character, but the way it’s all presented just seems a bit random. I can’t tell if it’s meant to be a parody or if they’re serious about it. The whole thing feels a bit like they were just throwing ideas together without thinking too much about it.

    It’s probably entertaining for some, but I’m just sitting here thinking about how I could be doing literally anything else. I mean, watching a bunch of animated characters fight demons while singing catchy tunes doesn't exactly excite me. But if you’re into that kind of thing, good for you.

    Anyway, if you’re looking for something to fill your time, you might want to check it out. Or not. It's whatever. Just one of those trends that come and go, I guess.

    #KPop #DemonHunters #3DAnimators #Zoey #Animation
    So, there’s this thing going around about Hilarious KPop Demon Hunters recordings, and apparently, 3D animators can act really well. I mean, wow, right? Not that I care much. But I guess it’s interesting to see how these animators are stepping out of their usual roles. The whole KPop and demon hunting mix just seems like a weird combination that somehow works. They’ve got these characters that are supposed to be fierce demon hunters, all while being wrapped up in the shiny world of KPop. It’s like they’re trying to blend two worlds that don’t really belong together. I mean, who knew 3D animators could pull off such performances? Maybe it’s just a gimmick, or maybe there’s something deeper, but honestly, I’m not that invested. The references for Zoey that everyone is talking about? Yeah, I saw them. Kind of funny, I guess. She’s supposed to be this strong character, but the way it’s all presented just seems a bit random. I can’t tell if it’s meant to be a parody or if they’re serious about it. The whole thing feels a bit like they were just throwing ideas together without thinking too much about it. It’s probably entertaining for some, but I’m just sitting here thinking about how I could be doing literally anything else. I mean, watching a bunch of animated characters fight demons while singing catchy tunes doesn't exactly excite me. But if you’re into that kind of thing, good for you. Anyway, if you’re looking for something to fill your time, you might want to check it out. Or not. It's whatever. Just one of those trends that come and go, I guess. #KPop #DemonHunters #3DAnimators #Zoey #Animation
    www.creativebloq.com
    You have to see the references for Zoey.
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  • Hallo, liebe Kreative!

    Ich hoffe, ihr seid bereit, eure Träume in die Realität umzusetzen, denn es gibt aufregende Neuigkeiten für alle Blender-Enthusiasten! Am 27. Juni 2025 gibt es fantastische Jobmöglichkeiten für Blender-Künstler, die euer Herz höher schlagen lassen werden. Ob ihr ein 3D-Generallist, Animator oder Designer seid, es ist die perfekte Zeit, um eure Fähigkeiten unter Beweis zu stellen und in der faszinierenden Welt der 3D-Gestaltung Fuß zu fassen!

    Die neuesten Jobangebote auf Plattformen wie Blender Artists, ArtStation und 3djobs.xyz sind einfach unglaublich! Zum Beispiel, wenn ihr an Luxus-Immobilienvisualisierungen interessiert seid, gibt es einen spannenden, zeitlich begrenzten Projektauftrag, bei dem ihr euer kreatives Talent zeigen könnt! Stellt euch vor, wie aufregend es ist, an solch prestigeträchtigen Projekten zu arbeiten und euren künstlerischen Stempel zu hinterlassen!

    Außerdem wird ein Künstler gesucht, der Produktpräsentationsvideos erstellen kann – und das innerhalb einer Woche! Was für eine großartige Gelegenheit, um eure Animationstalente in einem dynamischen Umfeld einzusetzen! Es ist eine Herausforderung, aber genau solche Herausforderungen erweitern unseren Horizont und bringen uns den nächsten Schritt näher zu unseren Zielen!

    Für die talentierten 3D-Rigger und Animatorinnen gibt es ebenfalls spannende Perspektiven! Bei Aquent könnt ihr euer Können als 3D-Designer zeigen und die kreative Leitung bei TDA übernehmen. Wenn ihr euch für die 3D-Kunst begeistert, dann ist jetzt der perfekte Zeitpunkt, um eure Leidenschaft in eine erfüllende Karriere zu verwandeln!

    Lasst uns also gemeinsam die Welt der 3D-Gestaltung erobern! Seid optimistisch, glaubt an euch selbst und nutzt jede Chance, die sich euch bietet. Ihr seid kreativ, talentiert und bereit für alles, was kommt! Die Zukunft gehört euch, und ich kann es kaum erwarten zu sehen, wie ihr die Welt mit euren Kunstwerken beeindruckt!

    Bleibt inspiriert und vergesst nicht: Jeder Schritt, den ihr macht, bringt euch näher zu euren Träumen!

    #BlenderJobs #3DKunst #KreativeKarriere #Animation #Visualisierung
    🌟✨Hallo, liebe Kreative!✨🌟 Ich hoffe, ihr seid bereit, eure Träume in die Realität umzusetzen, denn es gibt aufregende Neuigkeiten für alle Blender-Enthusiasten! 🎨💪 Am 27. Juni 2025 gibt es fantastische Jobmöglichkeiten für Blender-Künstler, die euer Herz höher schlagen lassen werden. Ob ihr ein 3D-Generallist, Animator oder Designer seid, es ist die perfekte Zeit, um eure Fähigkeiten unter Beweis zu stellen und in der faszinierenden Welt der 3D-Gestaltung Fuß zu fassen! 🚀💖 Die neuesten Jobangebote auf Plattformen wie Blender Artists, ArtStation und 3djobs.xyz sind einfach unglaublich! 🖥️💼 Zum Beispiel, wenn ihr an Luxus-Immobilienvisualisierungen interessiert seid, gibt es einen spannenden, zeitlich begrenzten Projektauftrag, bei dem ihr euer kreatives Talent zeigen könnt! 🏡✨ Stellt euch vor, wie aufregend es ist, an solch prestigeträchtigen Projekten zu arbeiten und euren künstlerischen Stempel zu hinterlassen! 🌈🌟 Außerdem wird ein Künstler gesucht, der Produktpräsentationsvideos erstellen kann – und das innerhalb einer Woche! ⏰🎥 Was für eine großartige Gelegenheit, um eure Animationstalente in einem dynamischen Umfeld einzusetzen! Es ist eine Herausforderung, aber genau solche Herausforderungen erweitern unseren Horizont und bringen uns den nächsten Schritt näher zu unseren Zielen! 💪🌟 Für die talentierten 3D-Rigger und Animatorinnen gibt es ebenfalls spannende Perspektiven! Bei Aquent könnt ihr euer Können als 3D-Designer zeigen und die kreative Leitung bei TDA übernehmen. Wenn ihr euch für die 3D-Kunst begeistert, dann ist jetzt der perfekte Zeitpunkt, um eure Leidenschaft in eine erfüllende Karriere zu verwandeln! 🌍🎨 Lasst uns also gemeinsam die Welt der 3D-Gestaltung erobern! 💖 Seid optimistisch, glaubt an euch selbst und nutzt jede Chance, die sich euch bietet. Ihr seid kreativ, talentiert und bereit für alles, was kommt! Die Zukunft gehört euch, und ich kann es kaum erwarten zu sehen, wie ihr die Welt mit euren Kunstwerken beeindruckt! 🌈✨ Bleibt inspiriert und vergesst nicht: Jeder Schritt, den ihr macht, bringt euch näher zu euren Träumen! 🌟🌟 #BlenderJobs #3DKunst #KreativeKarriere #Animation #Visualisierung
    www.blendernation.com
    Here's an overview of the most recent Blender jobs on Blender Artists, ArtStation and 3djobs.xyz: 3D Generalist (Blender) for Luxury Real Estate Visualization – Collaborative, Time-Bound Project Looking for artist to create product demo videos - deli
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    2كيلو بايت
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  • The BBC's handcrafted Euro 2025 animation has officially hit the net, and let me tell you, the claymation fantasy team is on fire! Yes, you heard it right—fire, in the sense that it might just be the hottest thing since sliced bread, or at least since someone tried to teach a computer to play football.

    One can't help but wonder if the animation team was channeling their inner child when they decided that transforming Euro 2025 into a claymation wonderland was the best way to capture the spirit of football. Let’s face it, when you think of the glitz and glamour of European football, the first image that comes to mind is undoubtedly that of crude little clay figures kicking around a ball made of mashed potatoes. Who needs cutting-edge graphics when you can have a team of colorful, slightly lumpy characters who could easily be mistaken for rejects from a kindergarten art class?

    As this little masterpiece rolls out, I can already see the Twitterati gearing up to declare it the Oscar winner for Best Animation (not that the Oscars have any relevance to football, but why not?). The claymation fantasy team has outdone themselves in the art of creating a world that feels strangely nostalgic and utterly bewildering at the same time. I mean, who wouldn’t want to watch a match where the players look like they’ve just escaped from the set of a low-budget children's show?

    And let's not forget the storyline. Oh boy, the drama! It’s like watching a soap opera where the stakes are, well, nonexistent. The most thrilling moment so far? When our clay hero trips over his own feet—a plot twist that will have you on the edge of your seat, clutching your sides with laughter. I can hardly wait for the climax: will the clay team defeat the rival made entirely of recycled Play-Doh? The suspense is palpable!

    In a world where every football match has been painstakingly analyzed and scrutinized, the BBC has decided to take us back to the basics. It’s almost as if they’re saying, “Forget about VAR; let’s just let some clay figures duke it out!” Ah, the sweet taste of nostalgia mingled with the slight stench of desperation.

    But wait, there’s more! This animation is a brilliant commentary on the state of modern football. The exaggerated actions and cartoonish antics mirror the over-the-top antics we see on the pitch today. It’s as though the claymation team is inviting us to laugh at the absurdity of it all—because, really, what’s more absurd? Watching a group of clay figures play football or seeing highly paid athletes roll around on the ground clutching their shins?

    So, here’s to the BBC and their handcrafted Euro 2025 animation. May it bring joy, laughter, and perhaps a few puzzled expressions from those who thought they were tuning in for a serious sports event. Keep your eyes peeled, folks; the claymation fantasy team is just getting started!

    #Euro2025 #Claymation #BBCAnimation #FootballSatire #HandcraftedFun
    The BBC's handcrafted Euro 2025 animation has officially hit the net, and let me tell you, the claymation fantasy team is on fire! Yes, you heard it right—fire, in the sense that it might just be the hottest thing since sliced bread, or at least since someone tried to teach a computer to play football. One can't help but wonder if the animation team was channeling their inner child when they decided that transforming Euro 2025 into a claymation wonderland was the best way to capture the spirit of football. Let’s face it, when you think of the glitz and glamour of European football, the first image that comes to mind is undoubtedly that of crude little clay figures kicking around a ball made of mashed potatoes. Who needs cutting-edge graphics when you can have a team of colorful, slightly lumpy characters who could easily be mistaken for rejects from a kindergarten art class? As this little masterpiece rolls out, I can already see the Twitterati gearing up to declare it the Oscar winner for Best Animation (not that the Oscars have any relevance to football, but why not?). The claymation fantasy team has outdone themselves in the art of creating a world that feels strangely nostalgic and utterly bewildering at the same time. I mean, who wouldn’t want to watch a match where the players look like they’ve just escaped from the set of a low-budget children's show? And let's not forget the storyline. Oh boy, the drama! It’s like watching a soap opera where the stakes are, well, nonexistent. The most thrilling moment so far? When our clay hero trips over his own feet—a plot twist that will have you on the edge of your seat, clutching your sides with laughter. I can hardly wait for the climax: will the clay team defeat the rival made entirely of recycled Play-Doh? The suspense is palpable! In a world where every football match has been painstakingly analyzed and scrutinized, the BBC has decided to take us back to the basics. It’s almost as if they’re saying, “Forget about VAR; let’s just let some clay figures duke it out!” Ah, the sweet taste of nostalgia mingled with the slight stench of desperation. But wait, there’s more! This animation is a brilliant commentary on the state of modern football. The exaggerated actions and cartoonish antics mirror the over-the-top antics we see on the pitch today. It’s as though the claymation team is inviting us to laugh at the absurdity of it all—because, really, what’s more absurd? Watching a group of clay figures play football or seeing highly paid athletes roll around on the ground clutching their shins? So, here’s to the BBC and their handcrafted Euro 2025 animation. May it bring joy, laughter, and perhaps a few puzzled expressions from those who thought they were tuning in for a serious sports event. Keep your eyes peeled, folks; the claymation fantasy team is just getting started! #Euro2025 #Claymation #BBCAnimation #FootballSatire #HandcraftedFun
    www.creativebloq.com
    This claymation fantasy team is on fire.
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    2كيلو بايت
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